Sound Production Mix Down With Use Of Analogue/Digital Workflow
Response to a client(s). Foundation Degree - Music Performance & Technology BA (Hons) Sound Production Studied at the University of Wolverhampton with examples of programming in technology based industries: Introduction Some practitioners of music production have argued that capturing the overall sound of an artist(s) or band is not subjective at all, as there are common practises that are followed in most recording studios. The objectivity of whether a particular sound is too a person's own style or taste will vary (Flemming, 2014). This paper seeks to explore the vast potential of differences between analogue and digital workflows that provide an ability for a music producer to gather sufficient insight as to develop their skills with use of both. The choice of location for a formal professional recording has developed from use of large studios to often now recordings completed on a laptop or D.A.W (Digital Audio Workstation). Although the physical writing and arrangement of